cap. II Διός. κυεῖ καὶ ἡ Φερέφαττα παῖδα ταυρόμορφον· ἀμέλει, φησί τις ποιητὴς εἰδωλικός,
ταῦρος δράκοντος καὶ πατὴρ ταύρου δράκων, ἐν ὄρει τὸ κρύφιον, βουκόλος, τὸ κεντρίον,1
βουκολικόν, οἶμαι,2 κέντρον τὸν νάρθηκα ἐπικαλῶν, ὃν δὴ ἀναστέφουσιν οἱ βάκχοι. βούλει καὶ τὰ Φερεφάττης ἀνθολόγια διηγήσωμαί3 σοι καὶ τὸν κάλαθον καὶ τὴν ἁρπαγὴν τὴν ὑπὸ Ἀιδωνέως καὶ τὸ χάσμα4 τῆς γῆς καὶ τὰς ὗς τὰς Εὐβουλέως τὰς συγκαταποθείσας ταῖν θεαῖν,5 δι᾿ ἣν αἰτίαν ἐν τοῖς Θεσμοφορίοις μεγαρίζοντες χοίρους ἐμβάλλουσιν; ταύτην τὴν μυθολογίαν αἱ γυναῖκες ποικίλως κατὰ πόλιν ἑορτάζουσι, Θεσμοφόρια, Σκιροφόρια, 15 P. Ἀρρητοφόρια, πο|λυτρόπως τὴν Φερεφάττης ἐκτραγῳδοῦσαι ἁρπαγήν.
Τὰ γὰρ Διονύσου μυστήρια τέλεον ἀπάνθρωπα· ὃν εἰσέτι παῖδα ὄντα ἐνόπλῳ κινήσει περιχορευόντων Κουρήτων, δόλῳ δὲ ὑποδύντων Τιτάνων, ἀπατήσαντες παιδαριώδεσιν ἀθύρμασιν, οὗτοι δὴ οἱ Τιτᾶνες διέσπασαν, ἔτι νηπίαχον ὄντα, ὡς ὁ τῆς Τελετῆς ποιητὴς Ὀρφεύς φησιν ὁ Θρᾴκιος·
κῶνος καὶ ῥόμβος καὶ παίγνια καμπεσίγυια, μῆλά τε χρύσεα καλὰ παρ᾿ Ἑσπερίδων λιγυφώνων.
καὶ τῆσδε ὑμῖν τῆς τελετῆς τὰ ἀχρεῖα σύμβολα οὐκ ἀχρεῖον εἰς κατάγνωσιν παραθέσθαι· ἀστράγαλος,
also bears a child, which has the form of a bull. To bechap. II sure, we are told by a certain mythological poet that
The bull begets a snake, the snake a bull; On hills the herdsman bears his mystic goad,—
theherdsman’s goad being, I think, a name for the wand which the Bacchants wreathe. Would youThe rape of Persephone have me also tell you the story of Persephone gathering flowers, of her basket, and how she was seized by Hades, of the chasm that opened in the earth, and of the swine of Eubouleus that were swallowed up along with the two deities,a which is the reason given for the custom of casting swine into the sacred caverns at the festival of the Thesmophoria? This is the tale which the women celebrate at their various feasts in the city, Thesmophoria, Scirophoria, Arretophoria, where in different ways they work up into tragedy the rape of Persephone.
The mysteries of Dionysus are of a perfectly savageThe mysteries of Dionysus character. He was yet a child, and the Curetes were dancing around him with warlike movement, when the Titans stealthily drew near. First they beguiled him with childish toys, and then,—these very Titans—tore him to pieces, though he was but an infant. Orpheus of Thrace, the poet of the Initiation, speaks of the
Top, wheel and jointed dolls, with beauteous fruit Of gold from the clear-voiced Hesperides.
And it is worth while to quote the worthlessb symbols of this rite of yours in order to excite condemnation: